The maxim, “Everything is Connected” is central to the making of these paintings. Exploiting the natural physicality of painting, with its perpetual erosion and malleability, I’m interested in how our environment is ultimately a subjective experience open to personal interpretation. The plastic, the ephemeral, and everything in between are intertwined in these gestural and calligraphic abstractions.


Memory and active perception are in flux as first impressions dissolve and new revelations emerge. When looking at these energetic images the viewer is free to assign meaning and revel in sensation. External and internal sensations are ambiguously intermingled